Dinamo Typefaces Synt 03bno shadow
Dinamo Typefaces Synt 05
Dinamo Typefaces Synt 07
Dinamo Typefaces Synt 04b edit
Dinamo Typefaces Synt 15



  • Regular & Italic & Slant & Turbo


Schoolbook Alternates

ag ag

Alternate 8

8 8

Alternate &

& &

Alternate @

Don’t @ me

Beethoven Alternates

b b d d

q q p p

Alternate 0 & 5

05 05

About Synt

About this typeface


Designed by Kaj Lehmann, ABC Synt is in the Scotch Roman style with a parametric stem-rhythm. It made its first appearance in issue 17 of sound and club culture magazine zweikommasieben, which Kaj also co-publishes. ABC Synt reimagines the typefaces documented in The Practise of Typography (1900) by Theodore Low De Vinne—a book that tells the story of the Scotch Roman style—in the context of a techno beat.

During the research phase, Kaj investigated systematized (or unitized) letter-widths and spacing system, finding that De Vinne mentions a so-called ‘self-spacing’ type that was developed by Benton, Waldo & Co. With this ‘self-spacing’ type, metal-cast letters had specified widths to speed up the typesetting process: It enabled typesetters to compose justified text by hand much quicker. At a later date, unitized letter-widths were introduced for hot-metal and phototypesetting, and now in contemporary, digital type design, the letter widths are defined on a grid of 1,000 units. For ABC Synt, Kaj developed a stricter unitized system, which divides the letters into a maximum of 28 units, and then synchronizes the distances between and within the letters. This conceptual approach defines the design of the typeface.

As a result ABC Synt’s rhythm is strict, with each stem at an equal distance from the last; its speed can be turned up or down by selecting different styles of the font’s slant cuts, which sit at drastic angles. Another special detail of the font is the little kink at the end of the stems. It counter-balances the weight and helps to print the typeface sharper.” ABC Synt has four styles: A Regular, Slant (with an angle of 16°), Turbo (with an angle of 32°), and Italics (with an angle of 16°). It’s available as a Variable Font (flexibility sliding from Upright to Turbo) or a Static Font (including the entire slant range).


Design: Kaj Lehmann
Spacing and Kerning: Igino Marini & Kaj Lehmann
Production: Dinamo (Robert Janes)

Supported Languages

Afrikaans, Albanian, Basque, Bemba, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kinyarwanda, Latin, Latvian, Lithuanian, Luxembourgish, Malay, Maltese, Montenegrin, Māori, Norwegian, Occitan, Polish, Portuguese, Romanian, Romansh, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh and more

Character Overview

Synt In Use

Dinamo Synt LV Virgil 212594491 2993170400941575 1427772020994521190 n
Dinamo Synt LV Virgil 212534693 256038096282399 2561217603126756568 n
Dinamo Synt LV Virgil 212422301 120118166984851 7366122744254617849 n
Dinamo Synt LV Virgil 212999448 975564449652931 7359361796086936557 n
Dinamo Synt LV Virgil 212089556 811439479521010 4762397752390736888 n
Dinamo Synt LV Virgil 211968373 578342653353732 612305260554113863 n
Dinamo Synt LV Virgil 211348721 364990324976440 6157362238159802645 n
Dinamo Synt LV Virgil 210904393 997582987712227 7734985109831666491 n

Louis Vuitton, FW 21. Seoul, Korea. Film by Virgil Abloh, Visual Direction by BeGood Studios