When French engraver Nicolas Jenson first developed his roman in 15th Century Venice, the highly legible typeface became famous for out performing everything else—its beautiful capitals were even said to “summon the spirit of Rome.” In 19th Century London, William Morris reinterpreted Jenson’s roman for his Golden Type, a celebration of craft aesthetics from the past and a typeface that questioned society’s reliance on technology.
Old Style serifs haven’t been as in vogue the last years (sharper, less historical serifs are more in favor), and so Marist picks up some of Morris and Jenson’s threads—fine tuning their forms for contemporary eyes and digital libraries.
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